Oxford Centre for Textual Editing and Theory : All Pages

• About OCTET
• Modernising: a conference
• People
• Contact
• Variants: a conference
• Events
• Research
• Publications
• Matthew Arnold
• Jane Austen's Fiction Manuscripts
• Material Texts in Early Modern England
• James Joyce's 'Work in Progress'
• From Restorer to Editor: The Evolution of Lewis Theobald's Textual Critical Practice
• Reading English Verse in Manuscript c.1350-c.1500
• William Empson: Some Versions of Pastoral
• OCTET Lectures
• Jane Austen's Teenage Writings
• Scribal Correction and Literary Craft: English Manuscripts 1375-1510
• Modern Manuscripts
• Gulliver's Travels
• The Beckett Digital Manuscript Project series
• James Joyce’s Unpublished Letters: A Digital Edition
• James Joyce’s Digital Library
• Textual Awareness: A Genetic Study of Late Manuscripts by Joyce, Proust, and Mann
• People
• Professor Hannah Sullivan
• Professor Ros Ballaster
• Dr Ben Higgins
• Dr Daniel Sawyer
• Professor Kathryn Sutherland
• Dr Michael J Sullivan
• Dr Lynn Robson
• Steering Committee
• Advisory Board
• Professor Dirk Van Hulle
• ‘Digital Editions Live’ – Workshop
• Brian Michael Moore
• Professor Daniel Wakelin
• Professor Peter D McDonald
• Professor David Womersley
• Ulysses
• Crochet Castle
• Journal to Stella
• Night and Day
• Scouting for Boys
• Digby Poems
• The Norton Critical Edition of Wordsworth's Poetry and Prose
• Sense and Sensibility
• The Complete Sonnets and Poems
• The Oxford Edition of the Sermons of John Donne
• The Complete Works of John Milton
• The Old English and Anglo-Latin Riddle Tradition
• Correspondence with Aaron Hill and the Hill Family
• News
• Inscription: a new journal for the study of material texts
• Redesigning the Medieval Book - workshops
• An Introduction to Digital Scholarly Editing
• Elements of Beckett Studies launch: a colloquium in honour of Rosemary Pountney
• Beckett Digital Manuscript Project Workshop
• Editing Beckett: Towards a Bilingual Digital Genetic Edition of Samuel Beckett’s Works
• Professor Nicholas Halmi
• The Italian Tradition of Authorial Philology and Variant Criticism
• Colloquium on Writers' Libraries
• Genesis 2022: Creative Revision
• ESTS 2022: Histories of the Holograph
• Professor Tara Stubbs
• Genetic Criticism
• ‘Editing Beckett’ research project awarded AHRC funding
• 90% of medieval English heroic or chivalric stories lost, according to research by team including English Faculty members
• Intimations of Postmortality: The Genetic Dossier of Samuel Beckett’s Watt and Its Romantic Residues
• Stephen King’s IT From First Draft to First Edition: A Look at the Many Documents Produced Along the Way
• Unlocking Digital Texts Workshop
• Editing and Digitising Marginalia
• Dr Rachel Bryan
• Professor Emma Smith
• Professor Pamela Clemit
• Digital Keys to Invisible Texts
• Genetic Narratology
• ICLA-CHLEL Conference 2023: Lived Experience and Literary History
• What is a Text?
• Oxford Mosaic Accessibility Statement
• Digital Scholarly Editing of Born-Digital Texts: Why and How?
• Oxford Centre for Textual Editing and Theory: Use of cookies on this website
• Write Cut Rewrite
• Write Cut Rewrite: The Cutting Room Floor of Modern Literature
• Towards a dynamic edition: making Kafka's writing process accessible to a general audience
• Marginalia and Writers’ Libraries: Between Reading and Writing
• Reading Behind the Lines: Ghost Texts & Spectral Imaging in Modern Literary Manuscripts
• Lost in Publication: Epigenesis and the Identification of Relocated Text
• DRAFTS: A Roundtable